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Cultural Achievements of Akbar

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cultural achievement of akbar

When Akbar inherited the throne, the empire was unstable and he had to face many difficulties. However, through conquests and his wise and visionary policies, he not only established a vast empire but also consolidated it.

Akbar, realizing that integration and harmony could be brought about in his kingdom not merely through political unification but through religious and social unity, tried to establish the concept of Sulh-Kul by demonstrating many personal examples. He put a tilak on his forehead and adopted Hindu practices such as Tuladan and Jharokha Darshan. Similarly, it was during Akbar’s reign that clothes such as Achkan, Sherwani gained popularity among the people. He even got some success in his attempt to check social evils like child marriage that still becomes news in our modern society. Akbar is very much known for his cultural achievements. The term ‘culture’ includes in itself the fields of literature, historical works art and architecture.

Read Also: Impact of Religious Policy of Aurangzeb on Mughal Empire

Literature during Akbar’s Reign

Although Akbar was himself an illiterate, he used to patronize scholars, poets, and historians. According to some historians, the reign of Akbar was a period of renaissance in the medieval history as he earnestly encouraged literature. During this period, rich literature was produced in Persian, Hindi, and local languages. And not only this, works of Sanskrit literature of great repute were also translated into Persian and Turki. Abul Fazal’s letters mentioned as original compositions. These letters are  known as Insha-i-Abul Fazal. Even a person like Aurangzeb, a staunch critic of Abul Fazal, praised the style of his letters.

Poetry, at that time, had got a prominent place in Persian literature because it provided the best way to express the love of nature and beauty. As Akbar provided an earnest patronage to poetry, many Indians and foreigners flocked to his court. The Ain-i-Akbari has registered the names of 59 top most Persian poets who enjoyed the patronage of Akbar. Among them, some famous names are Ghizali, Faizi, Muhammad Hussain and Sayyid Jamaluddin-Urfi.

Historical works during Akbar’s reign

As Akbar had an excessive love for history, he imparted patronage to historians. Among the notable historical works produced during his reign were: Abul Fazal’s Ain-i-Akbari and Akbarnama which throw much light on Akbar’s administrations and traditions. Badayuni’s Muntakhab-ul-Twarikh has its own importance as an important source of information for the view of the opposition because Badayuni was a great critic of Akbar’s religious policy. Nizam-ud-din Ahmad’s Tabat-i-Akbari provides a detailed description of Akbar’s conquest.

Must Read: Important Muslim Emperors of India

In order to fulfill his wish to bridge the gap between the non-Muslims and Muslims, Akbar got translated many literary works of different languages. For this, he created a separate Department of Translation that was placed under the charge of great scholars, of his court, like Abdur Rahim Khan-i-Khanan, Bandayuni, Abul Fazal, Faizi.

Many outstanding Sanskrit works such as the Ramayana, the Mahabharata, the Atharva Veda , Leelawati (a Sanskrit work on Mathematics), the Rajatarangini and Harivansh Purana was translated in Persian. And not only this, Abul Fazal translated Panch Tantra and Faizi translated Nala-Damayanti into Persian. Babur’s autobiography Tuzuk-i-Baburi  was also translated from Turiki to Persian during Akbar’s reign.

For Hindi literature also Akbar’s reign proved to be a golden period. Many high officials of his court were notable poets and writers; among them the names of Abdur Rahim Khan-i-Khana, Birbal, Raja Todarmal and Raja Man Singh are prominent. Abdur Rahim Khan-i-Khana’s dohas are popular even today.

Another eminent poet of Akbar’s time was the great Sant Tulsidas of the Ramcharitmanas fame. Another important poet of his age was the famous Surdas who wrote Sursagar in Brijbhasa.  As Surdas was a devotee of Krishna, his Sursagar describes Krishna’s childhood activities as well as his love for Radha.

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Krishna’s other devotee-poets who made their names during the Akbar’s reign were Nand Das, Vithal Nath, Parm Nand Das, Raskhan, Meera etc. Raskhan, a Muslim and a devotee of Krishna, wrote Prem Vatika in praise of Krishna. Keshav Das was another well-known poet of this period whose well-known works include Kavi Priya, Ram Chandrika and Rasik Priya.

Architecture During Akbar’s Reign

As there was prosperity during his reign Akbar took the special interest in erecting buildings. It was the outcome of his untiring efforts that the two prevailing Hindu and Persian styles of architecture got blended and took the form of a new style of architecture which adopted, on the one hand, domes, minerates and arches from Persian style and on the other hand endorsed decoration techniques from the Hindu architecture.

The architectural beauty of Akbar’s period can be seen and relished in the buildings of his new capital Fatehpur Sikri. Its main buildings comprise Diwan-i- Aam, Diwan-i-Khas Panch Mahal, Jodhabai’s Mahal, Birbal’s Mahal, Library and the Buland Darwaza. Here one can also see Sheikh Salim Chisti’s Dargah that was built by Akbar.

It was Akbar who initiated the construction of his mausoleum at Agra, but its construction was completed by his son Jahangir. This mausoleum is considered as the best example of the architecture of Akbar’s time. It can be assessed that the buildings and Temples constructed during the reign of Akbar had a great impact on the Mughal architecture as a whole.

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Painting during Akbar reign

During the reign of Akbar both styles of paintings-Persian and Indian-blended and took the form of Mughal style. The evolution of painting was shown in Turkish-i-khandan-e-Taimuyia and Akbari nama.

With an intention to promote painting Akbar formed a separate department of painting under the charge of Khawaja Abdus Samad. Akbar followed the policy of appointing painters of Calibre irrespective of their caste or creed. His court had both Indian and foreign painters. Painters of great repute of Akbar’s time were Farukh Beg, Sayyid Ali etc.

Also, Read:

The Gandhara Art

Saivism: Origin, Principles, and Kinds

Literature of Ancient India: Sanskrit Drama

Social Reformers (Maharashtra)

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social reformers

Social Reformers (Maharashtra)

Mahatma Joytiba Phule

(1) 1827 – 1890
(2) Worked for the Upliftment of downtrodden and women.
(3) Started Schools for lower-class children
(4) Established Satya Shodhak Samaj in 1873
(5) Published Brahmanache Kasab Gulamgiri, Shetkaryacha Asud, Ishara and Sarvajanik Satya Dharma Pustak.  

Must Read: Gopal Krishna Gokhale: An Estimate of a Genius

Gopal Hari Deshmukh (Lokhitwadi)

(1) 1823 – 1882 (2) Wrote on various topics dealing with politics, history, religion and sociology.
(3) The Published periodical called Lokhitwadi.
(4) Published a number of letters in weekly named Prabhakar which are collectively known as Shata patre.
(5) He took an active part in the social reformers movement.

Jagannath Shankar Sheth

(1) 1803 – 1865
(2) Took the lead in establishing political organisation – The Bombay Association in 1852. In order to create an awareness among people, he founded Samajik Parishad, Deccan Social Reformers Association etc. He was closely associated with educational institutes such as huzur Paga, New English educational institutes like Grant Medical College, J.J. School of Art, Law College, University of Bombay, Royal Asiatic Society etc.
(3) Took the lead in establishing  

Balashastri Jambhekar

(1) 1819 – 1846
(2) First to start the first Marathi periodical in 1832 known as Darpan.
(3) Wrote articles about the need to have a new kind of educational curriculum, social reformers and political rights.

Must Read: Indian Renaissance The Socio-Cultural Awakening

Justice M. G. Ranade

1842

In order to create an awareness among people he founded Samajik Parishad, Deccan Social Reform Association etc.
He was closely associated with educational institutes such as huzur Paga, New English School and Deccan Education Society. Worked through Waktrutvotejak Sabha, Ved Shastra Uttejak Sabha, Sahitya Sammelah etnd Translation Society. Joined the Prarthana Samaj to introduce reforms in the Hindu Religion. Established the Industrial
conference realising that for a backwards country Hk# India, Helps to eradicate untouchability In his Essays on Indian Economics (1908) he explained the basis of Indian Economics and stated that the Industrialisation is a must.

Dadoba Pandurang Tarkhadkar

(1) 1810-1882 British System is not suitable for Indian conditions.
(2) Contributed in the field of religious reforms.
(3) Atmaram Pandurang, Baba Padamanji and Bhandarkar, he established the Paramahans Sabha in 1849.
(4) Wrote Dharma Vivechan and Paramhansik Brahma Dharma

Gopal Ganesh Agarkar

1856 – 1895

(1) A contemporary and colleague of Tilak. Later differences arose between them.
(2) During 1881 to 1888 he wrote in ‘Kesari’ then he Left ‘Kesari’ and started his own paper ‘Sudharak’.

Chhatrapati Shahu Maharaj

(1) 1384 – 1922
(2) Started Employing Marathas and the untouchables in the State
(3) Influenced by the thoughts of Mahatma Phule, he was in favour of introducing social reforms and encouraged the reformists to start newspapers.

Dr Baba Saheb Ambedkar

(1)  Was born in Mhow (M.P.)
(2) From 1920 he began to organise the untouchable communities.
(3) Started Mook Nayak and Bhaishkrut Bharat as periodicals.
(4) Established Bahishkrut Hitkarini Sabha, independent Labour Party and Scheduled Caste            Federation.
(5) In 1956 he along with thousands of his followers entered Buddhism at Nagpur.
(6) Is known as the Architect of the Indian Constitution, as he was the Was born in Mhow (M.P.)

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Karmavir Bhaurao Patil

1887- 1959
He came under the influence of Satya Shodhak Samaj. He was impressed by the thoughts of Mahatma Phule.. Vithai Ramji Shinde and Shahu maharaj.
He established the Rayat Shikshan Sanstha in ‘1919.) He also participated in the National movement. ^

Ramkrishna Gopal Bhandarkar

(1) 1837 – 1925
(2) Closely linked with the Prarthana Samaj.
(3) Bhandarkar had become a member of the secret extremist organisation, %-v. Paramhansa Mandali while he was
a student in Eiphinstone College, ^ It advocated religious^reforms^ fj fT Y) d He founa references “in religious literature which supported education of women, ban on child marriages, permitting remarriages and so on.

Acharya Vinoba Bhave

(1) 1895 – 1982
(2) He started Bhoodan Movement.
(3) True follower of equality, brotherhood and humanity principles. Geetai and Geeta Pravachane are important books written by him.

Development of Mughal Painting

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Mughal Painting

Although prior to the advent of the Turks painting in general was flourishing well, it practically vanished during Delhi Sultanate, however during the period of Mughal empire the Mughal Painting emerged as one of the most significant phases of Indian art.

It was due to the prohibition on painting imposed by Turk and the Afghan rulers that it ceased to exist in the larger part of India during the period of the Delhi Sultanate. However, this art was revived and brought to the stage of perfection by the Mughal emperors.

The Mughal School of painting, in fact, evolved as a consequence of fine blending of Persian and India painting; both of these schools of painting had made striking progress independently of each other. The credit goes to Babur and Humayun who came in contact with this Persian art and introduced it in India. After them, although Akbar did provide his protection to many foreign painters particularly those belonging to Persian, he, not being satisfied with that only, promoted Indian painter as well and in his service he employed them in a large number. After getting an opportunity to work together both Persian and Indian artists they not only learnt from one another but also influenced one another as well that resulted in the development of the Mughal Painting. And in the process of making itself free from foreign influence, the Mughal painting pursued its own independent course and ultimately was Indianized.

Also Read: Mural Paintings – Art on wall and ceilings

Mughal Painting from Babur to Akbar

Although Babur and Humayun did not approve the prohibition of Islam on the art of painting, during their reigns nothing of importance could be achieved in this field. However, with the advent of Akbar on the throne the scenario changed. After becoming the emperor, Akbar started to promote painters at his court and assisted in the development of this art. He set up a separate department of painting.

That Akbar was really interested in the development of this art form becomes crystal clear from his efforts he earnestly did to achieve his purpose: he invited well known painters from Persian and China, best talents of the country got employment at his court; he encouraged them by assigning works according to their individual taste and aptitude and catered them all facilities to make use of their capabilities. The encouragement and facilities arranged by Akbar helped numerous talented artists to develop and mature their art that resulted in thousands of paintings and the emergence of the school of painting that we call the Mughal Painting, or the Mughal School of painting.

At Akbar’s court there were at least one hundred good painters; although many of them were Persians, a large number of them were Hindus. Thus the credit of the origin of Mughal Painting goes to Akbar who paved the way for its development as well.

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Mughal Painting during Jahangir’s reign

According to most of the eminent historians, it was during the reign of Jahangir that the Mughal Painting acquired the zenith of its rise; it is imperative, in this context, to mention here that Jahangir was not only interested in painting but was also a keen observer and judge of it. It is because he himself possessed knowledge of the art of painting, and not merely his interest and patronage that he provided to the painters, that caused the development of painting during Jahangir’s reign.

Jahangir, on the art of painting, writes in his biography Tuzuk-i-Jahangiri: “As regards myself, my liking for painting and my practice in judging it have arrived at such a point that when any work is brought before me, either of a deceased artists or of those of the present day, without the names being told to me, I can say at the spur of the moment that it is the work of such and such a man. And if there be a picture containing many portraits, and each face be the work of a different master, I can discover which face is the work of each of them. If any person has put in the eye and eyebrow of a face, I can perceive whose work the original face is, and who has painted the eye and the eyebrow.”

Although the above statement of Jahangir may be cast aside as piece of exaggeration, we would still have to accept the fact that the emperor was not merely interested in painting but was also a good judge of this art. He not only attracted many artists to his court but also got completed the works taken up by artists during the lifetime of Akbar, his father.

Also Read: Cultural Achievements of Akbar

Mughal Painting during Shah Jahan’s reign and after

That Shah Jahan took more interest in architecture than painting is true, yet he did provide patronage to painting. However, the reduced number of painters at his court establishes the view that the art of painting certainly declined during his reign.

As far as the reign of Aurangzeb is concerned, he withdrew the royal patronage that was customarily given to the artists. Aurangzeb turned the artists out of his court and even ordered to destroy certain paintings because, according to him, the practice of this art was prohibited by Islam. Thus it becomes quite evident that the Mughal Painting, that took shape and flourished due to earnest efforts of Akbar, suffered during the reign of Aurangzeb.

In the history of Indian painting, Mughal Painting occupies a well deserved respectable place because it once grew to perfection. Under the influence of Mughal painting a large number of paintings of different types were drawn: portraits of emperors and nobles; court and hunting scenes; figures of birds; animals; gardens; flowers; leaves etc. were drawn. Also painted were the portraits of queens, princesses and other ladies. However, many scholar historians are of the opinion that in most of the cases the portraits of females could not be original because of the rigid pardah system among the Muslim communities. It was expected from the artists to make, rather paint, what they saw themselves and not copy anything. It was mainly due to this expectation, perhaps, that the works of Mughal Painting were mostly near to real and original.

The artists belonging to the school of Mughal Painting, in their paintings, also tried to produce Baburname, Timurnama, Shahnama, Akbarnama and the story of Laila Majnu,etc. Also flourished art of painting on the books during this period. The school of Mughal Painting that began during the reign of Akbar, attained perfection during the rule of Jahangir.

The only defect that can be traced in the school of Mughal Painting that it did not select the lives of common man as media to depict the art. Therefore, the art produced by the artists of the Mughal School of painting did not come close to the lives of common men but remained limited to the courts of emperor and nobles of the day.Yet it can be claimed that the Mughal Painting occupies a most notable place in the history of India painting.

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The Gupta Empire

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Gupta Empire

The Gupta Empire was an ancient Indian empire, founded by Maharaja Sri Gupta, which existed from approximately 320 to 550 CE and covered much of the Indian Subcontinent.  The peace and prosperity created under the leadership of the Guptas enabled the pursuit of scientific and artistic endeavours. This period is called the Golden Age of India and was marked by extensive inventions and discoveries in science, technology,  engineering, art,  dialectic,   literature, logic, mathematics,  astronomyreligion and philosophy that crystallized the elements of what is generally known as Hindu culture. 

Chandra Gupta I, Samudra Gupta, andChandra Gupta II were the most notable rulers of the Gupta dynasty. The 4th century CE Sanskrit poet Kalidasacredits Guptas with having conquered about twenty-one kingdoms, both in and outside India, including the kingdoms ofParasikas, the Hunas, the  Kambojas, tribes located in the west and east Oxus valleys, the Kinnaras, Kiratas etc.

The Gupta period produced scholars such as Kalidasa, Aryabhata, Varahamihira, Vishnu Sharma and Vatsyayana who made great advancements in many academic fields. Science and political administration reached new heights during the Gupta era.

The Gupta dynasty was a Vaishya dynasty. Historian Ram Sharan Sharma asserts that the Vaishya Gupta’s “appeared as a reaction against oppressive rulers”.  The Gupta dynasty was a Vaishya dynasty. Historian Ram Sharan Sharma asserts that the Vaishya Gupta’s “appeared as a reaction against oppressive rulers”.

Read Also: Life in the Gupta Period

Decline of the Gupta Empire

The last great king of the Gupta was Skanda Gupta was ascended the throne about 455 A.D. Even during the later years of Kumar Gupta’s reign, the empire was attacked by a tribe called Pushyamitra but it was repulsed, And immediately after the accession of Skanda Gupta, Hunas made inroads, but they too were repelled.

The beginning the Gupta king Skanda Gupta tried effectively to stem the march of the Hunas into India, his successors proved to be weak and could not cope with the Huna invaders, who excelled in horsemanship and who possibly used stirrups made of metal, Although the Huna power was soon overthrown by Yasodharman of Malwa, the Malwa prince successfully challenged the authority of the Guptas and set up Pillars of victory commemorating his conquest (AD 532) of almost the whole of northern India.

The governors appointed by the Gupta kings in north Bengal and their feudatories in Samatata or south-east Bengal broke away from the Gupta control. The later Gupta’s of Magadha established their power in Bihar. Besides, the Maukharis rose to power in Bihar and Uttar Pradesh and had their capital at Kanauj. Probably by AD 550 Bihar and Uttar Pradesh and passed out of Gupta’s hands. And the rulers of Valabhi established their authority in Gujarat and Western Malwa.

After the reign of Skanda Gupta (467 AD,) any Gupta coin or inscription has been found in western Malwa and Saurashtra. The migration of guild of Silk weavers from Gujrat to Malwa in AD 473 and their adoption of non-productive professions show that there was not much demand for cloth produced by them. 

The usual causes of administrative inefficiency, weak successors and stagnant the fall of the Guptas: dynastic dissensions, foreign invasions, and some internal rebellions.

Foreign invasions were the second major factor in the decline and disappearance of the Gutpa’s. The invasion of barbaric tribe Pushyamitra was not the decisive. A far more important invasion was that of the White Huns, who, after settling in the Oxus valley, invaded India. First appeared during the reign of Budhagupta.

After the reign of Buddhagupta, the status of certain, governors of North Bengal and Yamuna – Narmada area around Magadh too assumed independence and became to be known as the later Guptas.

The Gupta period is generally regarded as a classic peak of north Indian art for all the major religious groups. The most famous remaining monuments in a broadly Guptan style, the caves at Ajanta, Elephanta, and Ellora (respectively Buddhist, Hindu, and mixed including Jain) were in fact produced under later dynasties, but largely reflect the monumentality and balance of Guptan style.  

Three major groups of causes, that led to the final disappearance of the Gupta empire, it is to be borne mind that no empire after the Mauryas was a reality. With the disappearance of the Mauryan empire no empire in its full connotation came into existence in India since we had no tradition like that of the Greeks where it is held that the State comes into existence for the necessities of life but continues to exist for the good of life, and man, by nature, is a political animal. Somehow, after the Mauryan era the thinking of India became apolitical. The first factor that contributed for this outlook of Indians was the emergence of feudalism about which evidence is there from the days of the Satavahanas. This tendency grew in the Christian era and was firmly established by the seventh century AD.

Must Read:

Social Conditions Under Gupta Period

Centralized Administration of Mauryan Empire

Buddhism

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buddhism

THE RELIGION OF PEACE AND ENLIGHTENMENT

Buddhism is the dominant religion in most of the Asian nations with around 535 million people following it. Such major religion of the world was originated in India around 2500 years ago. Buddhism was founded by Lord GAUTAMA BUDDHA, whose original name was Siddhartha.

The main goal of Buddhism is to attain NIRVANA (salvation), by choosing right paths of life and to escape the rebirth. The religion focuses on peace and non-violence. The path of meditation is an integral part of Buddhism.

Must Read: Dynasties of Ancient India

SIDDARTHA TURNING INTO GAUTAMA BUDDHA:

Siddhartha was a prince of Kapilavasthu tribe born in 563 BC at LUMBINI (present day Nepal). When he attained an age of 29, Siddhartha had renounced all the worldly desires after seeing four scenes (old man, sick man, dead body and ascetic).

Then Siddhartha left his home and went in search of salvation. He tortured himself in the jungles and on reaching a place called GAYA (Bihar), he started meditating under a peepal tree where he is said to be enlightened to preach his fellow beings. That place is later called as BODHGAYA.

After enlightenment, he delivered his first sermon at Sarnath (Uttar Pradesh) and later on Siddhartha was called as GAUTAMA BUDDHA (the enlightened). He preached the principles of life to the people and asked them to go around spreading the ideas all around the world. Later Buddha died in 483 BC at the age of 80 in KUSHINAGAR (Uttar Pradesh).

Also Read: The Gandhara Art

MAIN ASPECTS OF BUDDHISM:

ARYA SATYAS: These are the four noble truths preached by Buddha. They are as follows:

  1. The world is full of sorrows.
  2. The cause of sorrows is desire.
  3. If desires are conquered, all sorrows can be removed.
  4. The only way this can be done is following ASHTANGAMARGA (EIGHT FOLD PATH).

ASHTANGAMARGA: It is the eight fold path to be followed by every person to attain salvation. The eight paths are:

  • RIGHT UNDERSTANDING
  • RIGHT THOUGHT
  • RIGHT SPEECH
  • RIGHT ACTION
  • RIGHT LIVELIHOOD
  • RIGHT EFFORT
  • RIGHT MINDFULNESS
  • RIGHT CONCENTRATION

buddhism, ias preparation

SANGHA: It refers to the Buddhist monastery where monks and nuns live.

DHAMMA:It refers to cosmic law (or) order.

In addition to these, there are many other terms like NIRVANA (salvation),MAHAPARINIRVANA (death), PITAKAS (Buddhist texts) and so on.

You May Also Read: The Sangam Age : Early History of South India

TYPES OF BUDDHISM:

Over time, while spreading Buddhists were divided into two major sects namely HINAYANA and MAHAYANA.

HINAYANA BUDDHISM:

The main features of HINAYANA Buddhism are:

  • This type of Buddhism was developed with SANGHA as the centre.
  • Scriptures are written in Pali language.
  • It is centred round the acts of Buddha.
  • Hinayana stressed righteous action and law of karma.
  • HINAYANA BUDDHISM spread to the countries Srilanka, Burma, Thailand and parts of South East Asia.

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MAHAYANA BUDDHISM:

The main features of Mahayana Buddhism are:

  • This type of Buddhism was developed with individual as the centre.
  • Scriptures are written in the Sanskrit language.
  • It is centred round the life and personality of Buddha.
  • MAHAYANA stressed over law of compassion
  • MAHAYANA BUDDHISM spread to central Asia, China and Japan.

Buddhism was highly patronised by great kings like ASHOKA who built stupas all around India with Buddhist scriptures on them. Many Buddhist schools of art and architecture were also established.

Later, Buddhism declined in India as a religion because of the rise of Bhagavatism and Brahmanism and invasion of Turkish rulers.

CONCLUSION:

Buddhism is not only a religion but is a guide of principles which are to be followed to lead a better life.

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